Candlemas


IMG_0622The 2nd February is Candlemas day, when, in the Christian tradition, beeswax candles were brought to the church to be blessed for use throughout the year, in rituals and in homes.

Well, that is one of the results I got from Google when I went searching.

I like the idea of a Candle-mass. I like the idea of blessing candles. They bless me daily.

This morning, waking as I usually do before dawn, I lit the candle by my bed. It had been given to me by a dear friend for my birthday last Monday, and lit up just enough of the space for me to read a few words of a favourite book. Then I put that down and lay, watching gold light fluttering across the walls and ceiling, and inhaling its rose scent.

Such a small flame, and yet it signified so much to me. Wherever I light a candle, I feel at home. As a child, I loved to light them when the generator failed – it was a responsibility and a trust bestowed. Then in churches – a symbol of faith, even when I couldn’t feel it. Somehow I had faith in the light of the candle to show me a way to somewhere brighter. I am never without candles – tea-lights in glass vases, under oil-burners, on tables for shared meals, outdoors by paths…they are celebrations and comfort, hope and promise, history and mystery writ large over all of my years.

IMG_2385I spoke to Tony Doherty about Candlemas this morning, and he remarked on something I had never considered – that even as a candle is shedding light, it is dying. It gets smaller and smaller in direct proportion to the light and heat it emits. Its job is to give itself away.

I loved that.

As I sit here typing this, there is a candle burning opposite me, its flame moving occasionally when a drift of air whirls past. My heart goes out to it in gratitude. I couldn’t even begin to count the number of moments in my life that have been restored or enlivened by those delicate flames.

So today, here in the sacred space of my workplace, I honour and give thanks to candles. Like friends, they are vital to me, and like friends, it’s all too easy to take them for granted in the swirl of these digital, white-light days. This evening, in the home of new friends, I will ask if I can light a candle in gratitude for all my friends, and for my village of readers.

And for hope.

My own Candlemas…

Melbourne April-May 08 044

Sydney dreaming…

IMG_2306

 

I wake, draw the curtains, and that is the view I see from my refugio window.

Really.

The curving bridge is a distant frame with the harbour winking at me in the foreground.

Good morning sunshine, it says.

My breath catches every day. The beauty of these waters is ancient and natural, but also sculpted by man, bent to the will of creators and dreamers, yet still at the mercy of the winds and the water.

Elemental.

Sydney is working its way into my veins. My blood races as I walk the harbour trails stroking knobbled tree trunks and tracing the layers of paperbarks. My heartbeat speeds as a fish leaps from the water, then submerges for a time, then leaps again.

I’m doing that. Flying then deepening.

I’m here for four weeks of writing. Some of it is preparation for Writers Festivals in WA – Perth, Albany and Denmark – where I’ll be giving workshops, performing a monologue and enjoying conversations. Some of it is the next book – actually, I hope a lot of it will be the next book. I’m teaching a workshop, doing a poetry walk along the harbour, and will be in conversation with one of my favourite minds. I’m also dipping my toes into the possibility of two other projects – collaborations with Sydneysiders.

All that, and yet I get distracted.

IMG_2307On my daily caminos, frangipanis fall about me like scented rain. Bougainvillea drapes itself around my shoulders, a prickling purple scarf. Hibiscus blooms flash gaudy colours at me as I try to walk past with serious intent.

“My desk,” I say to them. “My desk.”

They know they will have their way.

When eventually I get to my office, I climb nineteen carpeted stairs before my feet reach the polished wood floor. It gleams. Gleaming even brighter from the other side of the room is the vista across Rose Bay to the city. It is all blue and white and light, except when it is bisected by the roaring red strip of a seaplane.

My desk is at a sideways angle to the view so I don’t lose myself. That harbour is trying to pour itself in through the open window, and I must resist it if I am to work.

IMG_2312Resist?

How do I resist the fecund, primal vegetation of this place?

It won’t observe boundaries. Tendrils creep over walls and through crevices. Branches burst up from concrete, and trees form sculptures, avenues from my dreamscape. They call to me to wander further, to worship their mystery and history.

Oh, Sydney, I shout. Stop!

IMG_2332Then I round another corner and my knees weaken all over again.

Rocks frame the harbour pool where I swim. They are shaped like great grey whales, but their interiors are exposed to the air, blasted open by the winds and salt, and I stroke the spines, the veins, the coarse gold curves.

Rock and water.

Polarities.

All this beauty. All this wonder.

The new, the other, is always inspiring. But Sydney is not new to me. I lived here many years ago. I swam in the same pool. In the intervening years, I have walked the harbour and sighed at jacaranda time. But this is different. This is a work camino, and I can’t recall when a place last fed me with such riches. If I can’t make something here, then it is nothing but my own sloth.

After walking the Camino Mozárabe, I used to wonder if such intense kindness existed in Australia. Was it simply those roads? Leonardo and Ricardo, my Capitano and Soldato, the ladies pressing food and shelter onto me – was it particular to that experience?

No.

This office, from which I write, has been made available to me by the good grace of Monsignor Tony Doherty and his village of parishioners in Rose Bay.

“Work,” Tony says to me. “Just work.”

I’m doing my best.

The door to my refugio-with-a-view was thrown open to me by Michelle Bartley. We met for the first time when she handed me a key and told me to make myself at home. When I try to thank her, she just shrugs and laughs, and tells me that if more people offered something of themselves, the world would work better. She laughs a lot. She is fair of hair and heart, it seems to me. People speak of patrons. Michelle knew nothing of me – only that I needed space and time. And she gave.

IMG_2325I am made over by their generosity. I am trying with every breath. Their kindness demands to be met with my best; their example calls me to rise.

So here, in my eyrie, I will dream a while.

I work, and it is good – even when it isn’t! I am in safe harbour and I am grateful.

Gracias, Tony and Michelle. Gracias, Rose Bay. Gracias, Sydney.

These are days of wonder.

Sydney rock sculptures
Sydney rock sculpture

Looking back

Looking back to the meseta on the Camino Frances in 2009

Pride. My sin.

It surfaces in myriad ways. One is that I’ve always prided myself on not looking over my shoulder. I live in the present, I tell myself and others. I move forward, I say, I move on.

Well, today, I have a confession. I’m looking back.

Unfortunately, not entirely without pride!

I’ve been trying to imagine how to honour this amazing year, and those who have travelled it with me – for a day, a week, a conversation, a glimpse, or for the time it takes to read a book. Images swirled: my friends holding up copies of the book; faces shining at beachside festivals; blinking into stage lights at the end of the Sinning monologue; the profile of a hero-writer in conversation beside me; singing Gracias a la Vida when I didn’t know I dared sing; holding hands as a confession was made; laughing as a secret was told; crying as pain was shared; asking other writers to sign their books for me; thrilling at coincidences and serendipity…

 

 

 

 

 It was a glorious mental collage, but I thought I’d best be methodical, so I came here to the blog and made a pilgrimage through the posts to my first entry, written with trepidation, about entering the cyber-world. I was a Luddite and afraid. I don’t know why exactly, but I felt I would be exposed in some uncomfortable way.

Stepping forward through the posts, I marvelled at things forgotten in the melee of the months, and I began to see with clarity how very much the sin-walk has given me, and continues to give. That first inexplicable impulse to carry for others still takes me into wild places, and still introduces me to members of my village – a village that has grown and grown, and asked me to expand with it. “Get bigger,” the book has kept shouting to me as it has pulled me after it down new roads and by-ways.

I’ve tried!

This blog, begun in doubt and nervousness, is now a village all its own. Its history is right here, in the posts, but even more so in the comments, which I think of as the village square where we meet at day’s end to sniff the  breeze and check in on each other. No relationship is one-way. They all require exchange of one sort or another, and it is the richness of that exchange that I see when I look at the comments. Such wealth. Such generosity. Such humour. Such tenderness.

I thought I would compile a list of thanks, but it would go for days. I’ve shared stories in Aireys Inlet and Carlton, the Wheeler Centre and the Grumpy Swimmer, Byron Bay and Eltham, Strath Creek and Hampton, Thornbury and Leichhardt, Paddington and under the spire of the Melbourne Arts Centre. I’ve sung the praise of Spain at the Cervantes Institute and with the Spanish Consulate. I’ve been welcomed and championed and – most amazing of all – given away as a gift. I have been applauded and belittled – and learned that neither matter as much as the moments when someone tells me the book has helped, offered an insight, or illuminated a moment. Nothing thrills me more than that the book has given pleasure to some and been useful to others. It has even been re-read. Imagine!

Every day of this miraculous almost-nine-months, I’ve had cause to consider the road, the sins, and the sin-donors. Every day I’ve been grateful. It seems more incredible to me now, after the book has its own life, that people trusted me with their intimacies back in the beginning when it seemed like lunacy. When people tell me secrets now, they know that I can be a vault. It doesn’t make it any less of a privilege for me, but I’m aware that my first sinners took a leap, and I salute them again for their bravery and trust. The book could not have been a book without them.

To share one’s self to that degree is rare. They didn’t give me their air-brushed, curriculum-vitaed, rubber-stamped glossy selves. They gave me their scuffed, tarnished, worn and wept-over bits. Those stories are the most precious cargo I will ever carry. They taught me so much.

I’ve been asked often whether the road changed me. I think it’s an impossible question to answer, really. I hope it did. It certainly asked me to expand, every single day. It still does. And I hope I’ve been able to meet its requests when they have come to me. I try. I try really hard.

And I fail.

I fall too, as witnessed by a post on this blog!

But I like to think that the sinners, my road companions, my angels from Barcelona, the readers of the book, and my subscribers here, are behind me, propelling me up the hills when they’re steep and watching I don’t fall on the shale of the slippery downhills. When I remember all of them, I know there’s no failure, only expansion. Only growth.

So at this curious time of endings and beginnings, reflection and revelry, I come with no pride at all, only humility and wonder, to offer thanks. Gratitude. Which has the same beginnings as gracias and grazie. And grace. I have known such grace on this journey.

I trust that it will continue next year, when I will be sinning across Sydney, Perth, Albany and Brisbane at festivals and events. I know it will continue to take me in, deeper and deeper, and out, further and further, to my limits. And that is good. I am still a pilgrim.

Grazie. Gracias. Merci.

Terimah kasih.

That is Bahasa for “thank you”. It translates as “receive love.”

So here is the last poem for 2012. It’s an original this time.

 

Terimah kasih. Terimah kasih.

Terimah kasih, terimah kasih, terimah kasih, terimah kasih.

Terimah kasih.

 

Terimah kasih. Terimah kasih. Terimah kasih.

Terimah kasih.

 

 

May your final days of 2012 be peace-filled and joy-full.

May 2013 bring you dazzling roads and shimmering horizons.

May you be loved.

Always and all ways.

Walking near Glenlyon in Central Victoria. Photo courtesy of beloved walker Carl NP.
Muchas gracias!

 

I will write again in about four weeks, and I hope that you will continue to walk with me into the brave new year ahead.

Gracias, amigos. Gracias.

Buen camino…

 

The ones that keep on giving…

One of the most thrilling sentences I’ve heard this year is – “I’ve just given your book as a present because I know that my Dad/friend/cousin will really enjoy it.”

To be “gifted on” has been the unanticipated joy of writing a book. I have one friend who has popped in several times to ask me to inscribe copies, and each time I feel honoured and excited to be the gift given. Maybe it’s because one of my biggest pleasures has always been to go into a bookstore to select a book for someone. Arranging that marriage of writer and recipient is endlessly fascinating as I weigh up whether the relationship should be challenging, consoling, sensual, amusing or intellectual. It’s made even more of a joy when a knowledgeable bookseller makes recommendations and I have to consider stranger, but equally attractive, possibilities than those I had begun with. Such fun!

Then there is the treat of being given a book voucher and browsing the shelves for myself. That almost equals the moment of receiving a book wrapped in crisp paper!

The other deep pleasure is when I’m recommended a book. “You haven’t read it, Ailsa? I can’t believe that. You must! You will love it!” That certainty. That wish to share the story or poem that has shaken someone’s foundations, or made them step into the world and see it with new eyes. I’ve been recommended some wonders in the past few months, and I thought I would pass on a few of my favourites here. These are the books I have given – and they are also books that keep on giving. In no particular order…

I’ve actually read this twice now. I bought it the minute it came out, and gulped it down greedily, loving Sophie Cunningham’s very particular portrait of her Melbourne, which overlaps and intersects with my Melbourne, but which also uncovered aspects that surprised me, both historically and topographically.

I read it again after asking her to sign a copy for me at Byron, and I’m so glad I did. It merits a second, slower read. Rather like Melbourne itself, it is full of by-ways and diversions. It details our clans and allegiances (yes, like the football…our Cats did not make it to the final this year), and focusses on 2009, the year of fires. It is beautifully crafted, seamlessly blending the personal and the public life of the city and the author. Read it wherever you live.

Rodney Hall’s book of short stories – Silence – was an epiphany for me at the beginning of the year. I waxed about it to everyone I met. We created a night of words and music around it at the Airey’s Inlet Festival. I gave it for birthdays and beloveds.

I have read much of Rodney’s work, and always admired it, but these stories woke me to what a master of the short story he is. They are the work of decades, and they reward reading and re-reading. Infinitely varied in tone and setting, they are by turns fierce, tender and always true.

I can’t go another minute without mentioning Charlotte Wood. I know she has had air-time here before, and maybe my admiration for her is already obvious, but she has produced two books in twelve months and both of them are magnificent. Animal People is a novel of dark humour, wisdom and compassion, with a central character who must be put onto a cinema screen. It is one of the most vivid portraits of person and place I’ve ever read, and Sydney streets will always look different after reading this. Love and Hunger is just my favourite book of the year for its generosity, its tender heart, its moral wrangling with contemporary issues and its complexity. Enough said? Not really, but you get the picture!

OK, so there had to be something Spanish!

Lucia Graves is the daughter of Robert Graves. She grew up in Spain, and writes about it with the particular intimacy of an insider/outsider. It is exquisite as biography, as cultural document and as a history of a particular time. It’s not easy to track down but I can’t recommend it enough. And for those of you who enjoy Carlos Ruiz Zafon, it is Lucia Graves who translates his works so brilliantly into English.

Seek her out. Do!

You don’t need me to tell you the wonders inside this cover, but it has been great to go back and re-read, re-savour, replenish.

Even in translation, Lorca’s words pierce psyche, heart, conscience, intellect. All.

They are lush and lovely.

An essential indulgence.

And speaking of lush and lovely…

I couldn’t wait to read Susan Johnson’s new book My Hundred Lovers. I am a paid-up fan over many years. It is one hundred shades of sensuality, and is crafted masterfully. Lap it up. And while you are seeking it out, see if you can find my favourite of hers – A Better Woman. It remains one of those lifelong “besties” for me. I have given it and given it. I re-read it in the light of her new book and it is just as potent and wrenching. Hard to find but you can get it with the help of a good bookseller or online. Maybe we can force a reprint if enough of us ask.

Also potentially hard to get, but worth tracking, is Hilary McPhee’s timeless book Other People’s Words. Hunt it down.

I have loved this since it was first released. It is wise, funny, meticulously observed, full of delicious details, and delivers way more than its humble title suggests.

These are Hilary’s words, and so of course they are gold. If you love Australian writing, this book is almost a primer for you. On every page there is something to savour and remember.

The poet (and friend!) E.A. Horne recommended Bereft at the beginning of the year. I read it in the heat of summer, and couldn’t put it down.

Dark, gothic and poetic, with hints of another favourite, Sonya Hartnett, but entirely individual, it is bound to be a film because every page is so vividly evoked. I could see, smell, taste the place, and held my breath on every page. Brilliant characters and an Australia that is both familiar and strange. Magnificent.

I’m not sure I can add anything to what you already have read about All That I Am. It has won all the big prizes this year, and is a masterly novel that squeezes the heart and challenges the mind. It is also an exercise in writing place – each location is brilliantly evoked. But I did want to remind you about Stasiland, Anna Funder’s previous book, which remains on my all-time top ten. I could just list superlatives endlessly, or you could just get your hands on it!

 

I’m currently finishing off this collection of writings by Robert Dessaix. I would never miss anything he writes, even though I have moments of being shocked by his curmudgeonly take on things.

Or is that why I love him? He’s unflinching and pithy, and his view of the world is particular and incisive. I saw him speak at the Wheeler Centre earlier this year, and just wanted him to go on and on. That mix of generosity and sharpness is entirely seductive. I don’t want the book to end. I know he is not everyone’s taste – I’ve had arguments about this – but I’m in awe of him. And in delight. And anyway, why be to everyone’s taste?

And next?

Well, I’ve already started to delve into Fishing the River of Time, and I know it is going to be a perfect follow-up to Dessaix. Completely different in tone, but equal in craft and detail, from the truly lovely first sentence I was hooked.

Sorry.

Dreadful pun.

Just google it and you will be seduced by the story. The writing lives up to all promises.

I have to stop. I could go on and on, but I have a tale to write for Wednesday’s story-telling night at Grumpy Swimmer bookshop in Elwood, and a letter to pen for Sunday’s Women of Letters event.

And I have books to read. What a privilege that is, and what companions they are.

The list is far from complete. The year has delivered so many other treats – essays and ruminations, picture books and poetry, genre novels and plays. But I offer these up as possibilities. Walk into a bookstore or a library in search of one of them, and I guarantee you will emerge with a friend.

Or a gift – for yourself or someone else. No matter. You will have had pleasure before you even open the pages!

*******************

OOPS! A postscript added later.

The other thrilling sentence of this week was “Did you see that great review in Sunday’s Sun-Herald in Sydney?”

I hadn’t, but friends sent me a photo. And here it is for you. My gratitude for the pic, and also to the reviewer – Rosemarie Milson – for her kind words.

Beyond Byron

I wonder what a Festival like Byron’s does to the collective consciousness.

We gathered for those three days – hundreds of us – bringing the best of ourselves to conversations, meetings and panels, down the road from the lighthouse at Australia’s eastern-most point. Another Finisterre – land’s end. Under open skies, our bodies unwinding in the warmth, we argued and posited and reflected. We listened to other ways of seeing and possible ways of being. We heard stories and songs. We looked at sculptures. We turned pages. We honoured the word.

And then we left. Many of us, anyway.

Where does all that go, that goodwill and possibility? I keep imagining the site, vibrating, highly charged, humming. I wonder, if I walked there now, would my feet feel the changes? Would I know that this was a place where people had tried to be at their best?

And back home, how are we changed? How do we bring that spirit of openness and curiosity into our everyday worlds?

I’ve struggled a bit.

Like this morning when someone sent me a link to a site because there was a complimentary review of my book. I scrolled down and of course I found another from someone who had hated it, who had not understood my intentions, who clearly loathed my writing.

And what do I recall now? The negative response, of course!

So all those voices of experience at Byron Bay, and all that generosity of spirit, didn’t prepare me for facing down my own ego and hubris, or my desire for the book to be liked. For me to be liked!

It’s possible that it is partly because the book is written in the dreaded “I” voice, so it does seem that someone liking or disliking the book is commenting on me, the person; but in truth, I think it is something else.

Post-Byron, after three days in a bubble of considered discussion and respectfully expressed differences of opinion, it has been a big transition back to the world of blunt opinions in which we mostly exist.

Watching Q and A on the ABC last night, I was struck by the polarising, shouted, argumentative discourse. No-one was heard and nothing of value was said. Reading the daily papers, it’s rare to find an article critiquing a situation where the writer has first endeavoured to see clearly the position of the person being rebutted.

I don’t know how commentators and public figures continue in this environment, but it must be bruising on some level. I was struck, at Byron, by how accessible and warm Bob Brown is. I was bowled over by the grace and generosity of Anna Rose. Both of them have suffered vicious personal attacks and received bags of hate-mail, yet both stay open and engaged; both step toward you with a smile and no caution. This seems to me a miracle, when their first response could be to withdraw and assume that the world is made up of people who will dismiss them or attack them on personal grounds.

Forgive me if I seem to be drawing a long bow. I’m not for a moment comparing one person’s response to a book to the tsunami of hate Brown has weathered, or the battering taken by the elegant Anna. What I’m trying to do is to extend myself out from a personal response to something larger – something bigger than ego and pinpricks of pain. Because that is what Byron asked of all of us. That is what any gathering asks, when the parameters are respect, attention and dignity.

We were invited to be the biggest versions of ourselves that we could be. From what I saw, that meant that all opinions, whether in rabid agreement or disagreement, were then able to be heard. Perhaps readers are more able to do that, but I don’t think so. We are all capable of it, all the time. And it doesn’t have to look like political correctness, or shutting down of discourse. It might just look like respect.

So today I’m going to channel my Byron self, and try to listen harder, to take a breath before responding, and to let some things slide away if they are simply not helpful or comprehensible to me in the limitations of my mind.

Luckily, there’s sunshine outside to remind me of Byron and its warmth.

The sky is helping.

And there are the days to come. Hopefully.

Because that is the other reminder that lodged firmly at Byron – the preciousness of these days, and how we can’t take a breath for granted. Gore Vidal died as I was travelling up there. Today I heard of the passing of Robert Hughes. Funeral parlours and crematoriums are always busy. Flesh dissolves into the earth or is burned to dust. Each breath I take is a victory and should be celebrated. I knew that when I saw a distant spume blurt from the ocean last Friday, just after hearing that a whale had died in Sydney Harbour. I think about that burst of water and air on the horizon now, and try to remind myself that each time I exhale, that is what I’m doing – pushing a celebratory plume into the air.

And speaking of celebrating. Thank you to Jonathon Parsons for the festival and for programming us all so thoughtfully; to those with whom I was lucky to share panels – Jill Eddington, Anna Rose, Jessica Watson, John Bailey, Mike Ladd, Tony Taylor, Caroline Baum, Hannie Rayson and Charlotte Wood; to those who came to the workshop I taught; to those who spoke on the panels I watched (many of them my heroes), and to all of us who listened. Here’s to all of us, readers on the grass.

Gratitude too, to the Duchess of Malfi company, whose run in Sydney ended on Sunday.

And to you for reading and subscribing here, beyond Byron.

Thank you. Gracias.

And looking ahead…

Please check the EVENTS AND MEDIA tab up above, or visit my Facebook page if you are inclined. This Thursday I will be in the centre of Melbourne at a wonderful event where seven writers reflect on their love affair with writing. On Saturday I will be performing a sin/poetry/walking monologue in Daylesford, and on Sunday I’ll be sharing a Spanish celebratory lunch and stories at the mighty Pavilion Cafe in the Valley of A Thousand Hills. Maybe come out and join us for some paella, some hills and some air.

And sky.

I have need of the sky

I’m packing for the Byron Bay Writers’ Festival, trying to imagine what warmth might be like, and covering all bases. In between searching for swimmers and scarves, I’m also finalising the script for my monologue performance first thing on Sunday morning.

This fragment of Richard Hovey’s poem was sent to me by Jenni Gates via the Festival website, for inclusion in my performance. I thought I’d share it here, so you can be part of the fun.

 

…I have need of the sky,
I have business with the grass;
I will up and get me away where the hawk is wheeling
Lone and high,
And the slow clouds go by.
I will get me away to the waters that glass
The clouds as they pass.
I will get me away to the woods…

 

Thanks Jenni, for an introduction to another poet, and for the reminder of the wide blue.

Thanks too, to all who came along to hear Hilary Mc Phee talk last night. It was a glowing evening. Thanks to those of you who have visited the Pilgrimage of Bookstores post over at the Meanjin blog, and to the “likers” on Facebook and even the twitterers who spread the words. Thanks to my pueblo of subscribers here – you keep me honest.

I was such a skeptical Luddite when all this began, but I am coming around, and some days I’m lit up by the sound of a Tweet whistling in or out.

Who could have guessed?

For now though, I’m imagining the sound of waves and picturing a light reaching out across the ocean to greet the dawn – and maybe even whales.

It’s my first visit to Byron. Another Finisterre, at the other end of the world.

I’ll report in on my return, but for now, buen camino, my village.

Paso a paso.

I will get me away to some sky…

 

 

Following where the road leads…

This road has a mind of its own.

That may not have been clear to me in the beginning, when I thought it was my idea, my project, my monologue that I was going to write, and my decisions that would shape any outcomes.

Hilarious old hindsight, eh?

When I sent out my letter asking for sinner-sponsors, I said my intention was to write a monologue for performance. I even knew the actress who was going to play it – my friend and fellow walker, Louise. Perfect for it, she would be.

Writing a monologue, however, proved another thing.

I struggled to find ways, struggled to compress the story, struggled to feel truthful, or that I was honouring the story. I was met with NO at every turn!

Then one day I began to write prose, and about twelve months later that prose found a publisher. A book allowed me to tell all the stories I wanted to tell, to be as scrupulous about the journeys of others as I could possibly be – and to confess to my own journey, which was never my intention, dreading the “I” voice, as I did.

Publication, and the ensuing road-trip into the blogosphere, the twittoverse and the land of Facebook, as well as the adventure of talking the book at events and on radio and festivals with people I admire and respect…well, that has yielded fruits I’d never dreamed. Pains too. Anxieties and ego-dents. Minor abrasions, only! Mostly, a rucksack full of joys.

Now, here is the latest irony.

I find myself sitting at the desk, penning a monologue for performance to be given by me, the person who swore she would never act on stage again, at the Fairfax Theatre! I began writing a week ago and finished it – more or less! – yesterday. And incredibly, amazingly, it has not been torture. There is a monologue!

Putting aside the horrors of trying to learn and rehearse it in the next eleven days (AAAGGGHH!), the thing that remains a marvel is that it was possible to write it at all, after those attempts when I first came home from the camino.

But I woke this morning with a strong sense of why I’ve been able to do it.

Now that the book is out, I am free to make choices about what parts of the story seem theatrical or dramatic, because the whole story, the entirety of the journey, is in the world. I have honoured the road as fully as I was able, and now I can be selective, just as I was with the Poetica programme.

So the thing I couldn’t do, I am doing. Incredible.

But on the road’s timetable, not mine.

I can’t yet bring myself to think about performing it, but I’m hoping that somehow the road will bring me home to a place where I can manage that too, just for one evening.

I’m reminded of a poem, given to me by Louise. It is by Alice Walker.

 

When We Let Spirit Lead Us.

 

When we let Spirit

Lead us

It is Impossible

To know

Where

We are being led

All we know

All we can believe

All we can hope

Is that

We are going

Home

That wherever

Spirit

Takes us

Is Where

We

Live.

I live and work here, looking out this window and dreaming of things that might be, then being astonished to find that other dreams, bigger dreams, are dreaming me.

Sometimes, the sky confirms that.

 

If you want to see one of the great miracles of the digiverse, click on this link and then scroll down to the post by Johnnie Walker. This is what I mean by connection!

http://www.abc.net.au/radionational/programs/poetica/2012-05-05/3967108

I have been moved and grateful for all the comments there, but that one fair took my breath away. The world is endlessly wondrous.

Please feel free to download the programme and have a listen. It’s another aspect, another unpicking, expanding, re-examining of the story…

Time and the pilgrim

 

Only a week ago, I woke up to this view. Sparkling blue and a lighthouse.

I was at Aireys Inlet for the Lighthouse Literary Festival, a stupendous weekend of illumination, within and without. I taught a workshop, directed actors, curated a session and spoke about SINNING ACROSS SPAIN. Mostly though, I listened – to activists, to brilliant fiction writers, to poets and to an audience lit up by possibilities. We were all imagining together, dreaming a future.

 

Two years ago I was approaching Finisterre – land’s end – where there is also a lighthouse, beaming out into the darkness of a wild and roaring sea. Then I was empty of all thought, save for gratitude.

I had made it.

A miracle!

Last weekend I walked the beach at Aireys with no pack, in company with two of my nearest and dearest. We laughed, we talked, we drifted into separate silences. I threw myself into the ocean and wallowed in the luxury of being kept afloat, and the sharp sting of salt on skin and tongue, in eyes and mouth.

I was present. Resoundingly present in a privileged, gifted life of free expression and unspoiled nature. And friends…

Two years ago, I walked toward Cape Finisterre with my pack, knowing that the journey I had undertaken was almost done. I look back at myself now, and I feel such affection for that demented blonde. She too was deeply present, without thought of anything other than the steps required to get to home. 

Last weekend, as evening fell, I walked the beach at Aireys again, unable to resist the purity of its stretch of white sand, and the ceaseless crash of those ribbons of waves. The sunset could have been crafted by a lighting designer, and the soundscape was better than Beethoven. Ahhhh. It was good!

Two years ago, at Finisterre – land’s end – I sat under the lighthouse and watched the sun disappear into the ocean, dropping off the planet into oblivion. There were only gull cries and silence then. And the crackling of a small fire as it burned the list of sins. It was good.

And now?

Well, it is mighty good.

People ask me what is next. The future?

I have no idea. I’m not sure I want to know. I am here, on the “other side of the world” as they say in Spain. The sun is shining today and the sky is bright blue. Australian blue. It’s particular. And I am going to walk a bit, and write a bit, and stay in the day.

I like the “not knowing.” I always have.

The future will take me by surprise in its own good time. For now, I am grateful to Hannie and Nic for inviting me to Aireys, and to Rachel and Peter and Lou for saying yes when I asked them to jump in and risk, and to everyone who inspired me last weekend. Just as I remain grateful to all those who walked the road to Finisterre. To the lighthouse, as a greater mind once wrote.

May your day be peaceful, and may you find time…

 

Feel free to enter your email at the top right to become a subscriber to these posts – they go out about once a week. And if you want to share with folk, feel free on that score too.

Feel free…

That works!

 

 

Gracias a la Vida

That means “Thank you to Life”.

It’s a song, a memory, a gift from a beloved friend, and a feeling – the feeling I experience most frequently when I walk, and the feeling that overwhelms me in waves just now.

Waves…

That is the beach at Aireys Inlet. That’s where I’m going.

I’m packing my bag for the Lighthouse Literary Festival, curated by Hannie Rayson and produced by Nicole Maher at Great Escape Books, two women of extreme dynamism and heart. They have brought together a group of writers and thinkers of eloquence and wisdom, and to top it off, Paul Grabowsky will come and play a baby grand on Saturday evening. Unfortunately, the weekend is sold out, but if you want to peek at the line-up, have a look here:

http://www.lighthouseliteraryfest.com.au/

Grateful? Me? Si! Si!

Waves of gratitude.

And not just for Aireys.

This week has been all gracias.

Grace and thanks.

My book has been talked about, read from, conversed with, written of, and finally…set free. It is out there in the wide world, making its way. I am learning to let it go, to wave it goodbye for this next stage, and to trust that it is stronger than me and knows the way.

On Monday just gone, I read aloud from it for the first time in public. Thankfully a few of the actor muscles still work, because I could not have anticipated the fear about standing up and putting my words into the air.

I also could not have anticipated the pleasure! Or the gratitude I felt to the those who came in support of me. Looking out into the book-lined walls of the Moat Cafe at the Wheeler Centre and seeing loved faces nodding and smiling encouragement – that will get you over any broken bridge. Gracias gracias.

On Tuesday night, the incandescent Hannie Rayson and I were In Conversation at Readings Bookstore in Carlton. I had no idea what that might mean, even though Hannie had prepped me about timings and topics, and insisted that when she asked me to read, I must select a passage that spoke about some of the hardships of the journey, because of my tendency to be a Pollyanna! I didn’t know that an In Conversation could surprise me with joy, or that it could wake me to wonder…or move me to song!

I know. The unthinkable. The mountain I thought I would never ever have the courage to climb.

I sang in public.

Only a few lines. But I did it.

Hannie asked me to speak a little Spanish so people could hear that language I so love. I thought I’d explain something of my road anthem, Gracias A La Vida, a song given to me on the Camino Frances by my compañero. A song that now lives in my cells, and marks my steps. Instead, I felt so overwhelmed by gratitude for the people who had come to wave the book into the world, that I decided to offer them something truly brave – an attempt at words with the tune!

I got through a few lines before crumpling, but I think it’s safe to say my cabaret career won’t be kicking in any time soon! That said, I climbed over the top of my personal Everest and have lived to tell the tale. Gracias a la Vida, and gracias to Hannie, to all who came along in support, and to that song of songs…

If you want to hear it at its best, look at this link. The late (great is too small a word and too sad to contemplate) Mercedes Sosa sings it. Take a few minutes to listen. Maybe google the lyric in English so you know what you are hearing. It will own you forever once you hear it.

http://www.youtube.com/watch?v=WyOJ-A5iv5I

Then on Wednesday, my day began with celebratory words in The Age newspaper. Suzanne Carbone outed a few sinners and then went on to sing the praises of the book. It has made a new friend, and once again, I give gracias. Her words are here:

http://www.theage.com.au/national/melbourne-life/you-sin-you-win-with-pilgrim-piper-20120417-1x5vl.html

And now I have a bag to pack. I will be in company with heroes and compañeros, friends and strangers, books and readers, writers and actors and a maestro. I will be in salt air and on hilltop paths. I will inhale and I will sing my solitary thanks to the salt-heavy air and the high high sky…el alto cielo.

Gracias, Mercedes. Gracias, mi compañero. Gracias, my true north. Gracias my friends, for being with me on the journey. Here, there and beyond.

Gracias a la vida.

Again and again and again.

From high on the ridge looking down to the beach. Aireys is waiting.

 

 

Heaven?

Heaven.

Paradise, Nirvana, Zion. The hereafter, the next world, the next life. Elysium, the Elysian fields, Valhalla.

Bliss, ecstasy, rapture, contentment, happiness, delight, joy.

Utopia.

The firmament, the skies, the celestial sphere.

El cielo.

Heavens to Betsy. Heaven on earth. Seventh Heaven…

The mind is its own place, and in itself, can make heaven of Hell, and a hell of Heaven.
John Milton

 

Heaven means to be one with God.
Confucius

 

Men and women will retain their sex in heaven.
Pope John Paul II

 

Democracy is only a dream: it should be put in the same category as Arcadia, Santa Claus, and Heaven.
H. L. Mencken

 

Heaven… I’m in heaven,
And my heart beats so that I can hardly speak.
And I seem to find the happiness I seek,
When we’re out together dancing cheek to cheek.
Irving Berlin

 

It is easier for a camel to go through the eye of a needle than for a rich man to enter the kingdom of God.
Matthew 19. 24

 

Perhaps they are not stars, but rather openings in heaven where the love of our lost ones pours through and shines down upon us to let us know they are happy.
Eskimo proverb

I don’t mean to be facetious, but I’ve been wondering about something…

There is no sin in heaven, presumably. Is that why it’s “a place where nothing happens?”

And isn’t it odd that if heaven is in the sky, so many cultures bury their dead in the ground?

How many heavens are there, anyway? And whose is the “right” one?

Ah, the right one…

So much happens here on earth. So much that is hard to fathom, or to forgive. A place where nothing happens might well be heavenly, now I think about it.

This week is going to be a place where PLENTY happens. Hope that doesn’t imply it will be hellish!!!

Nah. How could it be? Just look at what I’m lucky enough to be doing…

I’ll be talking to Adelaide on Monday morning. Check EVENTS AND MEDIA up above to get details.

On Monday night I’m reading and talking with two amazing writers at the Wheeler Centre, and there will be friends with whom I can celebrate afterwards. That would be you, hopefully.

On Tuesday night the luminous Hannie Rayson is going to lead me in conversation at Readings in Carlton, and then, with luck and a fair wind, we are going to talk to a heap more friends afterwards. Please join us if you can. Details also above.

And then on Friday, Saturday and Sunday, I will be down at Aireys Inlet for the Lighthouse Literary Festival. I’m so excited by this. Hannie and Nicole, from Great Escape Books, have created a breathtaking line-up of words and forums and panels and ideas for sharing. I feel so lucky to be there. There’s a link to the festival in EVENTS AND MEDIA. And here’s the scoop! Paul Grabowsky is playing piano for Saturday night’s SILENCE session. Wow!

And just so you know, I’m now a Spanish Australian! Looky here:

http://www.spanishaustralia.org/index.php?option=com_k2&view=item&id=105:the-call-of-the-road&Itemid=6

So much happening.

I’m in heaven!

I’m grateful to the Melbourne Festival and ACCA for shining Nathan Coley’s installation into the night, two years ago when I returned from walking. It gave me pause and made me consider. Still does.